|
Title
|
The Year
of Magical Thinking |
| Author |
Joan Didion |
| Release Year |
2005 |
| Reviewed by |
Elyce Melmon |
| Review Date |
1/05/06 |
| Non-Fiction? |
YES |
|
Death of
|
Spouse |
| Type of Death |
Any |
| Target Audience |
Bereaved, Family, friends and
co-worked of the bereaved, Caregivers |
| Reviewer Rating |
Very Good |
Summary
Joan Didion and John Gregory Dunne had an unusual marriage: they
spent nearly every waking moment together, working side by side,
editing one another's works, reviewing ideas. Theirs was a total
collaborative merging of intellect, emotion and ambition that might
have thrown anyone less involved into a competitive state. When
John Dunne suddenly died of a massive coronary infarction on December
30, 2003, his wife was left with the impossible challenge of making
some sense of the unpredictability of life's ending. For her, meaning
is the result of writing and in this poignant work, she invites
the stranger into her personal journey through the depths of anguish
and into the light of healing.
Quotes
"Life changes fast. Life changes in the instant. You sit down
to dinner and life as you know it ends." (p. 3)
In preparing for a Christmas Eve dinner party: "In the midst
of life we are in death." (p. 5)
"
a pledge to myself that I would not lead the rest of
my life as a special case, a guest, someone who could not function
on her own
About five in the afternoon on the 24th I thought
I could not do the evening but when the time came the evening did
itself." (p. 223)
General Themes
The story of Joan Didion's widowhood is complicated by the very
serious illness of her only child, Quintana, who died shortly before
the book was published. The reader is put in the position of pathetic
dramatic irony in knowing what the author, at the time of writing
did not know. With that knowledge comes the acute discomfort of
one who is eavesdropping and intruding on the victim. Still, there
is the affirmation that one as well respected for her intellect
and talent as Didion can be as subsumed by denial and superstition
as we ordinary folk.
What the Reviewer Liked
The very direct reporting in minute detail of the event. The touching
nostalgia of unexpected joy and remorse. The need to cherish memory
and try to be as honest as possible while reinventing the past.
Shortcomings or Flaws
For me, the flaws are the same as the merits of the books. It is
so personal that at times, I felt like a peeping tom. Yet, I so
thoroughly related to her experience (not wanting to get rid of
clothes, dwelling on last year's calendar) it seemed the author
and I were linked in some occult club, and she was revealing our
secrets to the world. I related to the craziness of her grief, but
because it was made so public, it was no longer mine, no longer
unique.
Writing Style
Didion writes with a natural rhythm and fluidity that makes it
a page turner. Her use of time might be difficult, still she skillfully
weaves the past into the present and writes in an almost stream
of consciousness style that gives the work authority.
Author Qualifications
Joan Didion is an excellent and accomplished writer with many great
works to her credit. She has survived the deaths of husband and
daughter and goes on working.
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Kara is the Gothic root of the word "care."
It means to reach out, to care, to lament, to grieve with.
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